The Harmonica has a reputation as a tricky, infuriating instrument. But we don’t agree with that. In fact, to show our commitment to the harmonica, we’ve gathered a list of tips and tricks on how best to record your harmonica!
The Harmonica is a famously passionate instrument. Its gritty, rustic sound is one which draws in the listener – but that sound has to be recorded in the right way. And if done incorrectly, ruins the appeal of even the greatest harmonica players. Therefore, we’ve decided to compile a list of the most useful tips and tricks, and best techniques, for getting the optimum sounds from your harmonica.
We cover everything from recording your harmonica using a simple microphone, to recording using an amp, to a mix of both using various numbers of microphones!
As with recording any instrument, there is not a completely foul proof recording technique. There will always be technological hiccups and personal preferences. But, speaking generally, there are two popular techniques that musicians use:
The step-by-step instructions to these techniques are noted below
For many instrumentalists, the preferred option to record the sound coming from their harmonica is using a microphone. To do this, you will need a microphone, a XLR (microphone) cable, a microphone stand and a device capable of recording sound (many choose to use an audio interface, connected to a Digital Audio Workstream (DAW), but this isn’t necessary).
To record a harmonica using a microphone, follow our step-by-step instructions below:
To create a fuller, richer sound from your harmonica why not use several microphones? This may sound expensive, but it will greatly improve your recorded sounds. You will need the same equipment as before, simply multiplied by how many microphones you wish to use. For example, for three microphones, you will need three sets of XLR cables, and three microphone stands.
To record a harmonica using several microphones, follow our step-by-step instructions below:
To add an extra level of depth to your recording, swap up your microphones on different recording takes. Why not try a condenser mic if you’ve only been using shotgun mics so far?
To record your harmonica using an amp, you will need two microphones, two microphone stands, a pair of XLR cables for your microphone, and a recording device (which can be a combination of an audio interface and a DAW).
To record a harmonica using an amp, follow our step-by-step instructions below:
In 2021, we will certainly be working from home more. And that means recording at home more too. So we’ve decided to compile some tips to improve your instrumental recordings at home:
The best microphones for recording harmonica are ribbon microphones, which are traditionally used because they don’t need high amplifiers to drive them.
They’re also great because their gentle, smooth sound has a less noticeable proximity effect or off-axis coloration when in close proximity to the instrument. Another good choice is an SM57 if you don’t want to spend much money.
Dynamic mics will work, but be prepared for more muddiness and dynamic range compression due to built-in overload protection circuitry that cuts down on any sudden spikes of volume (harmonics) like those produced by pressing hard into the strings with your fingers and then releasing quickly. Ribbon mics sometimes pick up plosives from breathing through your harmonica,
There is not a set list of dos and do not’s for harmonica usage. But there are some general rules that we’ve picked up over the years:
Those are pretty logic steps but important ones to remember.
The sound of a harmonica is created by the altering of air pressure within a pocket or cavity, so this can cause problems with tuning and how notes sound.
You could have air leaks due to an obstruction in the mouthpiece or from cracks around its edge. Tighten up all screws/bolts on your instrument before playing. If you have been exposed to moist environments, the tarnish on metal parts might need to be removed with polish before they will play properly again. Minor adjustments may also be needed for the sliding components inside the instrument (reedplates, springs). If there are any bends or curves in your reedplates, use sandpaper to rough them up (just enough) and put them back into place;
Hope that was helpful.
Thanks,
Tom
I’m Tom S. Ray and I’m head mastering engineer at Audio Unity Group. I also hold a bachelor with honours degree in music from Kingston University in London, I lecture mastering to students in Edinburgh College and to my online students via my Mastering Mastery audio mastering online course.